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original title: The B-Ring

genge: Action,Sci-Fi







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THE B-RING is an exciting female-driven sci-fi action film that harkens back to the great genre movies like ALIEN and THE TERMINATOR. In our story, all the action takes place aboard the All-Nations ENDURANCE, a space freighter on a mission to save the Earth. As Earth's energy stores drop to near total depletion, a team of the best and brightest were sent to harvest a precious new energy source discovered within the B-Ring of Saturn. Catherine Bell plays Flight Engineer ROKSANA O'NEILL. When a ruthless band of Marauders hijack the Endurance and (almost) kill the entire crew, she becomes Earth's only hope for survival. The unsuspecting Bandits don't know what they have on their hands when Roksana begins picking off their crew one by one. With a hidden skill-set derived from years of Black Ops missions around our shattered planet, Roksana wages her own private war in an effort to save her ship's precious cargo and ultimately her family back home. When it seems Roksana finally has the upper hand, the Raiders find another survivor (a young female engineer) and threaten things unimaginable if she doesn't reveal herself. Now a captive of the murdering Outlaws, it looks as if Roksana will fail her mission...but she has an ally no one knows about. The ship itself. Designed to communicate with her, she uses the technology she created to escape her captors but not before learning who sponsored the bloody takeover. When their mission is revealed, the ENDURANCE's decks run red with blood. She's not really concerned that they brought along a priest, but he may be good for SOMETHING. Death by knife, by ballistic oxygen tank, by the brutal vacuum of space...and a couple of surprises.


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World War I ace Dick Courtney derides the leadership of his superior officer, but Courtney is soon promoted to squadron commander and learns harsh lessons about sending subordinates to their deaths.

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original title: The Dawn Patrol

genge: War,Drama,Action


imdb: 7.6

duration: 1h 48min

tags: Greatest Air Epic Ever!

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World War I ace Dick Courtney derides the leadership of his superior officer, but Courtney is soon promoted to squadron commander and learns harsh lessons about sending subordinates to their deaths. During the First World War, British combat pilot Dick Courtney mocks his commanding officer Major Brand for being too cautious, unaware that Brand is tormented by the requirement of his command that he send young men to their likely deaths in substandard aircraft and with insufficient training. When Brand is transferred, Courtney becomes the commanding officer and quickly realizes the burden Brand labored under. When Courtney's best friend, Douglas Scott, asks him to spare his newly arrived and inexperienced brother Gordon Scott from combat duty, Courtney cannot justify doing so. A rift grows between the friends as Courtney realizes the tragic demands of his job. This fine movie directed by Howard Hawks is more potent for its absolutely dazzling aerial photography and filming, one of the best I've ever seen - much better than the eighties Top Gun. First, let me say the late twenties to late thirties was the height of what is known as the Aviator movie. Many hits were scored using this genre including this one which was a blockbuster in 1930. The thirties aviator movies in their flight sequences have a certain feeling to them. They are so realistic in look, and this is achieved without music being used, but just the whirring of the engines gaggling, give it a prescient omniprescence that advances in movie technology, Digital imagery and CGI can't duplicate. I mean, any of the thirties aviator pictures sparkle in their flight segments. It must be the way they were shot. I wonder what technique was used. The story for this movie which won an Oscar was written by John Monk Saunders who obviously knew the genre well. He also wrote Wings, the first Academy award winner, Legion of the Condemned, an even bigger hit than Wings with Gary Cooper, Devil Dogs of the Air and West Point of the Air. The leads are Richard Barthelmess and Doug Fairbanks jr. Barthelmess gives the real performance here while Fairbanks gives the movie star performance. They are involved in WWI and are ace pilots and best of friends. The film has a pandemic tone and regurgitating pace that feeds the ennui of war. Like the pilots of Top Gun, they tend to go against orders given by their boss, silent screen leading man, Neil Hamilton who has the tough job of sending men on their missions, missions in which lives will surely be lost. He doesn't like it but he has to follow orders. That is the theme of the movie, obeying and serving your job because it is necessary. Life is hard and fulfilling your function/role against all odds is rote. Tough choices have to be made for the greater good. Cliche but true. That is the irony of war and when one falls, another must takes his place. Barthelmess eventually takes Hamilton's job and in his shoes feels the pressures the man felt and the toughness of following necessary orders. It is not an anti-war movie, more than it is a WAR IS HELL! but heaven is only one more day of hell away. Slow because of early talkie cameras which needed absolute silence to be recorded and were static without any movement, but sets are highly believable and bombing raids uncharacteristically realistic. Dialogue though is a bit pedestrian with certain heavy-handed moments, in today's glare, and performances not up to par in certain areas but overall, a fine movie. Many on this board have compared this movie to TOP GUN which is a good movie but lacks Dawn Patrol's depth.

The early version of DAWN PATROL tells a complex tale of leadership and command best illustrated by the scene in which the commanding officer is promoted out of the unit and command falls into the hands of his highly critical, hot dog, second in command. I don't remember exactly was the CO said when he opened the orders relieving him. I believe the line goes, "Now see what you can do now that you can't do everything you want." The tension between the commander and his second is what find to be the most interesting part of the movie. Top Gun simply lacks that type of insight. Top Gun is more of an adventure story of a hot dog pilot.

Movies comparable to Dawn Patrol in the military war genre which attain the understanding of the conflict at the top.are Major Dundee, Twelve O'Clock High and surprisingly the John Wayne film Flying Leathernecks.

This film was remade in 1938 with Errol Flynn in the lead role. I'm told that it was so gripping that French spies on the Luxembourg border went to see it and missed the onset of the German invasion.


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AWOL marine Sgt. Jim O'Hearn is court-martialed for a variety of offenses that carry 143 years in the stockade or the death penalty but refuses to aid in his own defense.

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original title: South Sea Woman

genge: Action,Adventure,Comedy,Romance,War


imdb: 6.2

duration: 1h 39min

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Marine Sergeant James O'Hearn is being tried at the San Diego Marine base for desertion, theft, scandalous conduct and destruction of property in time of war. He refuses to testify or plead guilty or not guilty to the charges. Showgirl Ginger Martin takes the stand against his protest. She testifies O'Hearn won't talk because he is protecting the name of his pal, Marine Private Davey White. Ginger tells how she, broke and stranded, met the two marines in Shanghai two weeks before Pearl Harbor. White proposes marriage so that Ginger can be evacuated from China as his wife. Before the ceremony, the two Marines get into a fight with the natives and escape with Ginger aboard a small motor boat. They wind up in Namou, a Vichy French island, and are quartered in a run-down hotel. O'Hearn discovers a Nazi yacht delivering radar supplies to the island, and plans to seize it with the help of the Free French. White refuses to join and says he is deserting and intends to remain on the island with Ginger, who calls him a coward. O'Hearn forces White on board the commandeered vessel bound for Guadalcanal. AWOL marine Sgt. Jim O'Hearn is court-martialed for a variety of offenses that carry 143 years in the stockade or the death penalty but refuses to aid in his own defense. In 1944 U.S. Marine Master Gunnery Sergeant James O'Hearn is facing a court martial for desertion, theft, scandalous conduct and destruction of property, charges which in time of war carry the death penalty. ("Scandalous conduct" in this context means sex outside marriage; if that were to be regarded as a capital offence under military law I suspect that the fighting strength of most of the world's armies would be drastically reduced overnight).

The above might suggest that this is a serious courtroom drama along the lines of "The Caine Mutiny". Admittedly, the film starts off in serious vein, but as soon as Ginger Martin (she with whom O'Hearn allegedly conducted himself scandalously) takes the stand seriousness goes out of the window and it descends into ridiculous comedy.

Ginger is presumably the "South Sea Woman" of the title, but she is actually a white American rather than a Polynesian and only finds herself in the South Seas by chance. When O'Hearn first meets her she is working as a showgirl at a nightclub in Shanghai, where his regiment is stationed, and is the girlfriend of his friend Private Davy White. An attempt by White to slip away to marry Ginger leads to the three finding themselves adrift at sea on a small motor boat. In a series of increasingly farcical misadventures, in the course of which they inadvertently commit the acts which will form the basis of the charges against O'Hearn, they are rescued by a Chinese junk and eventually cast away on the French-ruled island of Namou. As the Governor of Namou is pro-Vichy, and as the attack on Pearl Harbor has now brought America into the war, the two Marines have to pretend to be deserters in order to avoid being interned. White and Ginger attempt to marry several times, but are always frustrated.

It is at this point that the film changes direction again, largely abandoning comedy and turning into a patriotic wartime adventure as O'Hearn and White discover a fiendish Nazi plot and decide to take action to thwart it, to seize a boat and to rejoin the Marines who are fighting the Japanese at Guadalcanal.

Mixing genres in this way is often a risky business, the risk being that the resulting film can end up as neither fish nor flesh nor fowl nor good red herring, or in this case neither drama nor comedy nor action. I don't think there was ever any possibility of this film being a sort of "Caine Mutiny Court Martial", but it could certainly have been made either as a comedy about the adventures of a pair of bungling Marines and a girl or as a standard gung-ho action war film about two heroic Marines with a sub-plot about their love-interest.

The attempt to make the film as a combination of these two approaches simply results in a misbegotten dog's breakfast, a film which is not very amusing when it tries to be a comedy and not very exciting when it tries to be a wartime adventure. About all one can say for it is that Virginia Mayo looks lovely, as she normally did.

This is not quite Burt Lancaster's worst movie; he normally saved his worst for those occasions, mostly in the sixties and seventies, when he allowed his political judgement to overcome his artistic judgement and ended up playing a villainous right-wing fanatic in turgid, paranoid left-wing thrillers like "Executive Action" or "The Cassandra Crossing". It is not, however, one of his better ones, and is one that is probably best forgotten by all but the most obsessive Lancaster fans. 4/10 I found my way to this film after seeing Veola Vonn playing "Arlette" a voluptuous painter's model in "Le Fantome de la rue Morgue" (1954) which is loosely based on an Edgar Allan Poe novel.On looking at Veola's film career she seemed to specialise in acting roles playing French ladies of easy virtue and the subject film is typical when she plays Lillie Duval a madame of a brothel on a remote French island.Although she was born in NYK.(1918-1995), I wondered whether she had French parents/relatives or connections to give substance to these roles.

Virginia Mayo first came to my attention in "The Best Years of Our Lives" (1946) playing the initially good-time wife of Dana Andrews a returning bombardier officer from the U.S.A.F. being demobbed at the end of WWII.In this film Virginia as "Ginger Martin" shows off her very feminine figure to its best advantage and soon gets Chuck (The Rifleman) Connors (Pvt.Davey White) & Burt Lancaster (Sgt. O'Hearn) squabbling over her and how best to get back into WWII on the side of Uncle Sam.For Burt it must have made a change doing this knockabout comedy after filming the heavy dramatic acting required playing another sergeant in "From Here To Eternity (1953)" in the same year.Coincidentally both films have the Japanese attack on Pearl Harbour as a theme.Another face I spotted was Paul Burke (The Naked City - 1960s TV series) playing an ensign at Sgt.O'Hearn's court marshal.

Obviously the plot outlined in other user comments above is comedic and Hollywood stereotypes abound which include (from an American perspective,) all foreigners who cannot speak English but we must remember that these films were produced by Americans for average Americans.I would place the growing international maturity of U.S. film producers from 1962 with "The Longest Day".One obvious editing device used in "South Sea Woman" is to utilise B&W war newsreels of the real WWII U.S./Japanese conflict and splice them into the subject B&W film. Also used were back-projection screens with "real" studio action by the actors.Oh well, c'est la guerre.I rated it 6/10 on purely on an entertainment level.


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Dirty Harry is on the trail of vigilante cops who are not above going beyond the law to kill the city's undesirables.

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original title: Magnum Force

genge: Action,Crime,Mystery,Thriller


imdb: 6.8

duration: 2h 4min

tags: Clint Eastwood is back in 'Full Force' as Dirty Harry in "Magnum Force."


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Dirty Harry is on the trail of vigilante cops who are not above going beyond the law to kill the city's undesirables. Several criminals who have eluded the law are being gunned down by a cop on a motorcycle. Harry, who was reassigned to stakeout duty is assigned the case cause his superiors are afraid that this is some kind of gang war. But Harry suspects that they have a vigilante on their hands, quite possibly a cop. This time Harry Callahan(Eastwood) attempts to detain a vicious killers are murdering mobsters and criminals.The rock-hard inspector is accompanied by an African-American cop(Felton Perry) and they track down a suspects P.D.(Robert Urich,Tim Matheson, Mitchell Ryan).The killers band sees outlaws freed on legal technicalities and they take justice into their own hands.Harry aware a secret gang which administers justice extra-legally and take revenge. Harry is called on once again and wielding a Magnum 44 revolver, he returns his unorthodox means;taking on ominous avengers group that is threatening the city of San Francisco. Harry in trouble as habitual with his chiefs(Hal Holbrook) because his methods lead abuse the criminal's civil rights and a pile of death in clod blood along his wake.Harry pursues the revenge-obsessed murderers and encounters he has more in common with them than he expected.

Eastwood's second Dirty Harry entry is well written by John Milius and Michael Cimino; it packs tension,violence, action-filled and is really effective. Although less exciting than ¨Dirty Harry(1971,by Don Siegel with Reni Santoni, Andrew Robinson) but still interesting and plenty of vivid action and suspenseful. However this time ,doesn't feature Callahan's classic phrases, such as ¨Do you feel lucky¨ or ¨Go ahead , make me day¨, though he also says some original lines. Good use of locations by cameraman Frank Stanley and adequate musical score by usual Lalo Schifrin. Taut and expert direction by Ted Post and well produced by the usual, Robert Daley. Followed by ¨The enforcer'(1976, by James Fargo with Tyne Daly,Harry Guardino), ¨Sudden impact¨(1983, Eastwood with Sandra Locke)and ¨Dead pool¨(1988,by Buddy Van Horn with Lian Neeson, Jim Carrey). This formula thriller will like to Clint Eastwood fans and Harry Callahan series enthusiastic. Clint Eastwood reprises his role as Inspector Harry Callahan of the San Francisco Police Department in "Hang'em High" director Ted Post's "Dirty Harry" sequel "Magnum Force." The sturdy cast including Hal Holbrook, David Soul, Robert Ulrich, Tim Matheson, and Mitchell Ryan co-star with the lanky Eastwood and his Model 29 Smith & Wesson revolver. The vigorous John Milius & Michael Cimino screenplay serves to clarify our hero's law & order stance that he took so much flak for in "Dirty Harry." Indeed, "Magnum Force" whitewashes Eastwood's saintly but insubordinate cop. Remember, in "Dirty Harry," our hero ignored the law when he tried to save the life of a kidnapped girl. Harry's violation of the villain's Miranda rights, however, allowed the fiend to go free despite overwhelming evidence that he was the murderer. In "Magnum Force," we find Harry back on the job. The filmmakers never explain what occurred in the interim, but it really doesn't matter. Harry is back and that is all that counts. Harry encounters a quartet of gung-ho 'young Turk' motorcycle traffic cops who are crack shots with their .357 magnum service revolvers.

"Magnum Force" opens with an angry mob of citizens protesting the release of a mobster Ricca (career character actor villain Richard Devon) and his associates, who want out of court, climb into their automobile and tool off to freedom despite the crowd. They don't get very far before a uniformed traffic cop in black leather with a cream white helmet pulls them over for crossing the double lines on the freeway. When the thug driver gives the cop some lip, the cop—who we cannot see because he is virtually anonymous in his regalia—whips out of his service revolver and punches holes in all four of them, leaving them sprawled dead in the car. Harry investigates and his new superior, Lieutenant Neil Briggs (Hal Holbrook of "The Great White Hope") chews him out for not being on the stake-out to which he has been assigned. By this time, Harry has acquired a new partner, an African-American (Felton Perry of the original "Walking Tall") to show that he isn't a bigot. Harry takes Smith out to airport to grab a hamburger and stumbles onto a hijacking plot. Harry masquerades as an airline pilot to get aboard the jetliner and thwarts the swarthy looking hijackers with a few shots. When Harry gets back to the stake-out at a super market, he nails a couple of gun-toting bandits. Later, a pimp (Albert Popwell who played the bank robber in "Dirty Harry" that was on the receiving end of Callahan's speech) corners one of his girls at night and takes a stash of cash that she has been hording. He repays her greedy by pouring drain cleaner down her throat. The next time that we see the pimp he is being pulled over by another traffic cop. He offers the cop a bribe and the cop blows him away. prefer to take the law into their own hands and execute crooks that rely on the loopholes in justice to get out of being prosecuted from their crimes.

Ted Post isn't half of the helmer that Don Siegel was, but "Magnum Force" pales by comparison with its predecessor. First, despite the presence of some strong villains, the bad guys are rather straightforward types. Nobody is as psychotic as Andy Robinson's Scorpio in "Dirty Harry." The antagonists here are well-heeled gangsters with armies of gunmen or slickly dressed motorcycle cops with impenetrable sunglasses that make them look intimidating. All in all, "Magnum Force" is rather conventional. Dirty Harry fans would have to wait for "Sudden Impact" before the character had another memorable speech. The closest that Milius & Cimino come to a signature line is Harry's comment: "A man has got to know his limitations." Otherwise, the dialogue is as disposable as the spent shells that Harry empties from his revolver. The shoot-outs are staged with some competence, and lenser Frank Stanley's camera-work is far about average. There is a major shoot-out between a mob and Harry. Eventually, Harry winds up on the hood of the car being driven by a hood that conveniently loses control of the vehicle and impales himself on a crane. Early in the storyline, Harry stumbles across a career cop and an old friend, Officer Charlie McCoy (Mitchell Ryan of "High Plains Drifter") who hates the system almost as much as Harry does and makes no pretense about it. Milius and Cimino use McCoy as the red herring. He appears to be the unhinged cop who has been killing thugs, that is, until he gets killed himself.

A little more than half-way through the action, the badguys identify themselves to Harry and ask him to join them. Surprisingly, for them, Harry refuses to and it's only a matter of time before he has to confront them. As it turns out, Harry's worst suspicions have come true. Vigilante cops within the SFPD are knocking off suspected criminals with extreme prejudice. Eventually, Harry has to tangle with them aboard a mothballed aircraft carrier after a brisk but uneventful car chase. The motorcycle stunts come off looking tame.

The biggest difference in "Magnum Force" from "Dirty Harry" is the relationships that Harry has with women. He had no woman in "Dirty Harry," but here we see him date an Asian-American as well as Charlie's ex-wife. Harry never gets them between the sheets because he has to respond to some criminal emergency that cannot wait for him. Interestingly, according to scenarist John Milius—in an above-average but less than satisfactorily complete commentary—revealed that Eastwood had received mail from women requesting that he work women into the movies, but that the women come onto Harry instead of vice-versa. "Magnum Force" packs a lot of heat, but it cannot compare with Don Siegel's original. Hal Holbrook makes an okay villain. This has grit coming out of its ears but not the greatest Eastwood feature by a long shot. The following FAQ entries may contain spoilers. Only the biggest ones (if any) will be covered with spoiler tags. It is assumed that no one who is diligently avoiding spoilers will be visiting this page in the first place. Because the film is careful to avoid showing the motorcycle cops' faces when they kill criminals, it is hard to tell which cop is at which crime scene. Additionally, the voices of the cops conducting the two traffic stop shootings are made to sound similar so you can't make a voice recognition and are left guessing as to whether it's the same cop or two different guys. Some believe Red Astrachan is responsible for either the execution of Ricca and everyone in his car or for the pool massacre, and Mike Grimes for the other one. It is presumed by Captain Avery in the morgue scene (and a mention that Phil Sweet found the pimp's body) that Sweet is responsible for executing the pimp.

Of the four motorcycle cops, only John Davis is certainly responsible for the assassination of Lou Guzman and his associates, as well as Charlie McCoy, given that we see him taking off his helmet when speaking to DiGeorgio after shooting McCoy in the parking garage.

However, it is also very likely that Davis might have carried the pimp's murder: Sweet clearly has brunette hair. There is a closeup of the killer cop's sunglasses when he is asking the pimp for his license and vehicle registration, where you can clearly see that he has blond hair sticking out from under his helmet, and Davis is the only one of the four motorcycle cops who is blond. This makes Avery's implication at the morgue that Sweet was responsible for the pimp killing either a continuity error or Sweet was nearby acting as a back-up to Davis. This line caused great controversy amongst gun enthusiasts as it suggested that Dirty Harry used the much weaker 44 Special cartridge in his revolver rather than the tremmendously powerful 44 Magnum (the Smith and Wesson Model 29 capable of using both). According to screenwriter John Milius the crew simply fluffed his dialogue, what Harry means is that he uses a specially prepared slightly lighter version of one of the strongest varieties of 44 Magnum bullets in order to give him 'less recoil and more control'. There are five: (1) Dirty Harry (1971) (1971), (2) Magnum Force (1973), (3) The Enforcer (1976) (1976), (4) Sudden Impact (1983) (1983), and (5) The Dead Pool (1988) (1988). The most likely answer is that the cab driver supplied a description of the pimp to the police. Perhaps he was interviewed by a sketch artist as well. They probably were able to identify the pimp through both a mugshot and through a background check on the victim. Once there, it was a matter of one of the killer cops tracking down the car. It's also possible that the killer had already targeted the pimp for previous crimes or simply for the fact he was obviously a pimp. It was only coincidence that he was killed the day after murdering his prostitute.Sweet is killed by Palancio in the dockside shootout. Grimes is killed by Harry running his motorbike over with his car. Red Astrachan is killed by Harry using karate blows to the neck on board the aircraft carriers. Davis rides his motorbike off the side of the aircraft carrier and into the bay whilst pursuing Harry where he is knocked unconscious and drowns. Harry blows Briggs up using the bomb from his mailbox. Ironically this is the only film in the Dirty Harry series where Harry doesn't kill any of the villains by shooting them


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A brilliant scientist left for dead returns to exact revenge on the people who burned him alive.

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original title: Darkman

genge: Action,Crime,Sci-Fi,Thriller


imdb: 5.1

duration: 1h 36min

tags: They destroyed everthing he had, everything he was. Now, crime has a new enemy and justice has a new face.

budget: $16,000,000

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Scientist Peyton Westlake is working on a project to create synthetic skin. Now the skin he has developed has a flaw--it will not remain stable for more than 99 minutes. His girlfriend, Julie, a lawyer is investigating a developer. She leaves some incriminating documents at Peyton's. One night Peyton was working when the lights in his lab went out, he then discovers that the synthetic skin has remained stable past 99 minutes, he deduces that it's because of light that the skin doesn't remain stable. And it is at that moment that a psychotic criminal, Robert Durant appears demanding the documents that Julie left there. They beat up Peyton, and after finding the documents they blow up Peyton's lab. Peyton was blown away and everybody believes he is dead but in reality, he was found, burned seriously and a new procedure was performed on him that renders him unable to sense pain, he also now has tremendous strength and is now prone to violent outbursts. He is now working on perfecting the synthetic skin and at the same using his technology to make synthetic skin masks of the men who attacked him so that he could strike back at them. A brilliant scientist left for dead returns to exact revenge on the people who burned him alive. 'Darkman' is a modern-day comic book adaptation of 'The Phantom of the Opera', and a pretty good one at that. The story of Peyton Westlake, the eponymous Darkman, would have been a complete waste of celluloid had it not been for Liam Neeson's performance as the central character. He makes you actually want the guy to succeed. Shame about the others, though.

Julie, Westlake's girlfriend, is just about convincing, but I wasn't especially stunned by the performances of the baddies. Passable, at best. The film is carried by the central character's plight as he tries to rebuild his life. The audience is never entirely sure how that particular part of the story will end - naturally the bad guys get their comeuppance, but does Peyton get his girl back? The actual ending is a nice enough twist, leaving it well open for sequels. Speaking of which, don't bother - I'm assured that neither of them are any good.

The atmosphere is a dark one, closer to Batman than Superman (the gothic Burton-esque setting is traded in for the big-city, business-mogul-bad-guy motif) in that the hero is more of an anti-hero who would rather kick the baddies around than turn them in.

Overall, 7/10: but it'd be nice to see a good Liam Neeson-driven sequel or two. Keywords: brilliant, timeless, animated, vigilante. Sam Raimi's Darkman encompasses a full 90 minute dream sequence where everything has a heightened sense of cartoon like atmospheres and egotistical characters just insane enough to be worth routing for. Liam Neeson surprises me again with another great performance, the nurse from American Werewolf In London was a great addition to the mix and Ted Raimi is always hilarious. Look out for a special cameo from a famous B-Movie actor (Clue 1: he has collaborated with the director before!) Yes the special effects of the 1990's do seem very "cartoon-networky" but i appreciate a well told story with grounded antagonists and the evolution of a hero.

Well worth viewing, since it is a dedication to a montage of old films you will find yourself saying "hmmm i remember that part from: Dracula, Batman, Frankenstein, Face Off..etc" but at the end of the day; identifying with the freak inside all of us brings this tale into full fruition! Darkman, as unnerving as a gargoyle, is a classic nightmare, elegant and sumptuous, everything "Batman" should have been. But we're numbed after a while, as we are by the grotesquerie of the nightly news. Then again, maybe that's Raimi's intention. His work is beautiful in its scary way, and never only skin deep. According to Bruce himself at a UK convention in March 2008, he was never down for the role. He did confirm however that he supplied much of the voice work. The European DVD has a small cut due to it being distributed in the UK, where the BBFC used to have a problem with the depiction of certain Asian weapons in movies. It is hard to say. There is a shot that establishes where the line is and shows that Westlake is already standing very close to it when he gets there, so it is possible that he crossed it on the last throw when he knocked the bottles down and not realized it. If Westlake was paying attention, the fact that he is so certain that he did not cross the line would set the interpretation that the guy at the stand really was trying to cheat him. While both interpretations involve the aspect of his inability to control his temper making Westlake/Darkman more unpredictable, dangerous and susceptible to violence; only the one in which the guy actually cheated Westlake would involve him getting what he deserves when Westlake beats him up. Bottom line, if you want to believe that the scene's only purpose was to put further focus on Westlake's growing instability, then he did cross the line (though either way, the underlying meaning is there). But if you want to believe that the guy was being an unfair jerk, you'll say Westlake was behind the line.


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The town of San Felipe is plagued by robberies. Two Federal Agents are sent to investigate the major suspect, a local landowner. One agent works on his ranch, the other becomes his daughter's fiance. MY GUN IS THE LAW is a well-paced little spaghetti western from Alfonso Brescia, the Italian director known for making slapdash films on an extreme low budget. This is one of the better quality ones I've seen from him and it generally holds up pretty well against the genre in the mid 1960s. The story is about a lawless border town, into which ride two characters: a loner cowboy called Ringo, and a dandy. An avenger soon starts tackling the numerous bad guys, and a stock plot follows which has a ton of shoot-outs, showdowns, and various chase scenes. It's all very old-fashioned, but Brescia seems actually interested in the material, and the actors are fun. Middling Italian-Spanish Western with habitual actors , customary scenarios and realized in Chorizo/Spaghetti style . The film displays thrills , noisy action , violence , shootouts , final twist and being enough entertaining . The movie contains typical particularities Spaghetti , as it is full of fury , sadism : bloodbaths , and close-ups of grime-encrusted faces . This is an average Spaghetti Western with some moments genuinely entertaining if you can avoid thinking too much . The town of San Felipe is plagued by robberies . There arrives George Benson (Ángel Del Pozo as Anthony Clark) , a good-looking and elegant gentlemen to marry the niece (Luciana Gilli) of the powerful land baron of the turbulent city and a Pistolero called Ringo (Miguel de la Riva aka Michael Martin) . One of whom is a foppish , and the other one results to be a gunslinger who flees from justice . There are several assaults on stagecoaches , robbing gold railway , though the thieves find Malaga wine bottles . The major suspect turns out to be a local landowner , the businessman Henry O'Brien, (Peter White) . As Ringo works on his ranch , the other , Benson , becomes his daughter's fiancé.

This Western is a passable outing because it displays thrills , emotion , shoot'em up , saloon brawls , intrigue , riding pursuits and many other things . It's a medium budget Spaghetti film with acceptable actors , technicians , production values and pleasing results . Agreeable Spaghetti Western follows the American models as well as Sergio Leone style . The film blends frenetic action , crossfire , violence , blood , and it is fast moving and quite entertaining . The picture is a tale of justice in which two strangers , who are really two Federal Agents , are sent to investigate stagecoaches robbing , and delivering peace and order ; the basic plot is typical spaghetti western fare , but what makes this movie stand out is its style . There is plenty of action in the movie , guaranteeing some shots or stunts every few minutes . The starring called George Benson is decently played by Angel Del Pozo , here gives better acting than other films , his character is a coward , shy , foppish man who is humiliated at every turn , but subsequently he dons a dark outfit and wearing scarf , he becomes into the masked rider , Zorro-alike . Del Pozo played several Maccaroni/Tortilla Western as "Fort Yuma Gold" , ¨The hawk and the prey¨ , ¨Savage Pampa¨, "Face to Face" , "A Bullet for the President" and ¨El Condor¨. While his pal , Miguel De La Riva , also performed numerous Westerns playing usually secondary roles as "I'll Kill Him and Return Alone¨, "Four Dollars for Vengeance" , ¨Dynamite Jim¨, "One Dollar of Fire" , "Shoot to Kill" and ¨Oeste Nevada Joe¨ . Angel Del Pozo and Miguel De La Riva take law on his own arms , executing thespian skills , bounds and leaps and shooting and throughly enjoying themselves . Support cast is pretty well , including familiar faces from Spaghetti/Chorizo Western as Milo Quesada , Livio Lorenzon , Jose Riesgo , Germano Longo , among others . Atmospheric and evocative cinematography by Eloy Meya , shot on ordinary locations in Colmenar Viejo, La Pedriza , Manzanares El Real, Madrid and Elios studios , Lazio , Rome . Enjoyable musical score by Carlos Castellanos , adding Spaghetti sounds in Ennio Morricones style .

The motion picture was professionally directed by Alfonso Brescia , though contains some flaws and gaps . Al Bradley was a craftsman who directed all kind of genres . Alfonso Brescia or Al Bradley was born in Rome , 1930, and died in 2001 . He was a director and writer, known for directing Westerns as : Days of Violence , White Fang and the Hunter , Killer Caliber and The Colt Is My Law . Alfonso began directing muscle-men epics as The Conqueror of Atlantis , The magnificent gladiator , La Rivolta dei Pretoriani . He also directed Sci-Fi and Sword and witchery genre as Iron Warrior , Sette Uomini D'Oro Nello Spazio , The war of the robots ; Adventure as Zanna Bianca , Amazons against Supermen and Wartime films such as Objetivo Rommel , Misiones Ardientes and Hell in Normandy .


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An expedition sets out through the jungle to find a missing explorer, but stumbles upon an ancient Mayan temple that houses a giant ape.

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original title: Stark Mad

genge: Action,Adventure,Crime,Mystery,Romance,Thriller


imdb: 7.4

duration: 1h 10min

tags: A GORILLA TRAINED TO KILL! (original poster - all caps)


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A group of people from the United States sail on a yacht down to Caracas in search of the captain's missing son. Soon they are lost in the wilds of Central America, encounter many terrors in the jungle (including an ape that is trained-to-kill), one of the party is murdered by something or someone close to the searchers. An expedition sets out through the jungle to find a missing explorer, but stumbles upon an ancient Mayan temple that houses a giant ape.


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